Daily Translation: English to Chinese 11-22
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This post was last edited by kaixuanzz on 2011-4-18 at 14:10. At the turn of the century, Turner’s ambitions led him to emulate the works of the recognized Old Masters; over the next five years or so he created sea scenes in the style of the van der Velde brothers, Italian-style landscapes in the style of Claude, and ‘historical’ landscapes in the style of Poussin. Please hide the translation. Reference translation: At the turn of the century, the ambitious Turner began to imitate the works of the established masters. Over the next five years or so, he created a series of large-scale works. In these large-scale works, he imitated van der Velde in painting seascapes, Claude in creating landscapes in the Italian style, and Poussin in depicting historical sites. Language points: emulate, in the manner of. I’ll hold back the answer for now; please stay tuned for my next installment on English-to-Chinese translation, where you’ll understand the true meaning of these two words. But I believe everyone can still grasp the meaning of this sentence
At the turn of the century, Turner’s ambitions led him to emulate the works of the established Old Masters; over the next five years or so he created sea scenes in the style of the van der Velde brothers, Italian-inspired landscapes in the style of Claude, and ‘historical’ landscapes in the style of Poussin. At the beginning of the century, Turner’s ambition drove him to imitate those already recognized as great masters. Thus, in a series of large-scale paintings created over the next five years, he depicted sea scenes in the style of Vermeer, Italian-style landscapes in the manner of Claude, and historical scenes using Pussin’s approach.
At the turn of the century, ambition drove Tina to strive to match the work of the renowned masters who came before her. Over the next five years, she created a series of masterpieces: she painted the seas in the style of van der Velde, Italian landscapes in the style of Claude, and historical scenes in the style of Poussin.
At the turn of the century, Turner’s ambition drove him to imitate the masterpieces of previous artists; in a series of large-scale paintings created over the following five years or so, he used Van der Waelde’s style to depict beaches, Claude’s style for Italian-style landscapes, and Poussin’s style for historical landscapes.
At the turn of the century, Turner’s ambition drove him to imitate the works of those recognized masters; over the following 5 years, he created a series of large paintings – namely, Scenes of the Sea painted in the style of Vermeer, Italian-style landscapes painted in the style of Claude, and classical-style landscapes painted in the style of Pushkin.
At the turn of the century, Turner’s ambition led him to imitate the works of the established masters: in a series of large paintings to be created over the next five years or so, he painted seascapes in the style of Van der Velde, Italian-style landscapes in the manner of Claude, and ‘historical’ landscapes in the style of Poussin.
At the turn of the century, Turner’s ambition led him to create imitations of works by his predecessors; over the course of about five years, he painted seascapes in the style of those masters, landscapes in the Italianate style, as well as historical scenes and club scenes in the style of Poussin.
At the turn of the century, Turner’s ambitions led him to emulate the works of the acknowledged Old Masters; over the next five years or so he created a series of large paintings featuring seascapes in the style of the van der Velde brothers, Italian-inspired landscapes in the style of Claude, and ‘historical’ landscapes in the style of Poussin. At the beginning of this century, Turner was highly determined to imitate the paintings of these recognized masters. Over the next approximately 5 years, he created a large number of works: he painted seas using van der Veldes’ method, Italian landscapes in the style of Claude Lorrain, and historical subjects in the manner of Nicolas Poussin – his skill was truly exceptional
At the turn of the century, Turner’s ambitions led him to emulate the works of the recognized Old Masters; over the next five years or so, he created a series of large paintings featuring seascapes in the style of van der Velde, Italian-style landscapes in the style of Claude, and \"historical\" landscapes in the style of Poussin. At that time, Turner’s ambition drove him to imitate the works of these established masters, and through a series of paintings created over those five years, he painted seascapes in the style of van der Velde, Italian-style landscapes in the style of Claude, and historical landscapes in the style of Poussin.
At the turn of the century, Turner began ambitiously to imitate the works of recognized masters; over the following five years he created a large number of seascapes in the style of van der Velde, Italian landscapes in the style of Claude, and historical landscape paintings in the style of Poussin.
At the turn of the century, Turner ambitiously sought to rival the works of famous artists throughout history; in a series of works created in the following year, he painted seascapes in the style of Van del Valdes, Italian landscapes in the style of Claude, and historical landscapes in the style of Poussin.