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Try sending it for the fifth time, without pictures! ! ! !
Drinking Alone in the Mountains with a Recluse _ By Li Bai: The two of them drink together as the flowers in the mountains bloom, cup after cup. I’m drunk and sleepy; please go now. Come back tomorrow with the zither. Actually, I know more about the latter two lines. Compared to the loneliness of raising a cup to invite the moon and having one’s shadow make up three people, it’s such a happiness to have close friends to chat with
From DuNiang – General appreciation: Li Bai wrote numerous poems about drinking, all of which are masterpieces full of vivid expression. The poem begins by describing the scene at the banquet. “For Li Bai, ‘the mountains’ represented a world that was ‘entirely different from the human world’. ; The blooming \"mountain flowers\" further enhance the beauty of the surroundings; moreover, instead of drinking alone without a companion, one is here to drink in company with another person, and those who drink together are like like-minded recluses. In such a situation, with everything going as one wishes, one drank heartily, cup after cup. The following sentence repeats the word “a cup” three times in a row; through this repetition, it not only emphasizes the large amount of wine consumed but also highlights the extreme pleasure felt. The reader seems to see the scene of drinking heartily and singing loudly, and to hear the enthusiastic urging to drink, as in \"Let’s keep drinking; don’t stop the cups\" (from \"Let’s Keep Drinking\"). Due to his excessive drinking, the poet was probably completely drunk, on the verge of collapsing, so he sent his friends away first. ““I’m too drunk to sleep; please go now,” the words are straightforward, yet they vividly depict the state of someone who is drunk and flushed with alcohol, while also showing that the two people drinking together are close friends who have lost all sense of formality in their interaction. Despite being thoroughly drunk, the poet was still full of enthusiasm and didn’t forget to urge his friend, “Come with your zither tomorrow.” This poem portrays the relationship between a transcendent madman and a hermit; the carefree and unrestrained attitude depicted in it, the words that appear as if by chance and vanish just as quickly when called for, and the lack of restraint and freedom in behavior—all these elements present before the reader an highly individualized artistic image. The artistic expression of poetry also has its unique features. The quatrains of the height of the Tang Dynasty had adopted a regulated form, and many of them were subtle and implicit, with intricate and graceful structures, which were completely different from the style of ancient poetry. Yet this poem pays no attention to rhythm, and its tone is bold and unrestrained; from the very beginning it exudes an unstoppable momentum, purely in the style of a song lyric. Only in this way can such intense joy be expressed so vividly. This is different from ordinary quatrain poems, but it still adheres to the principles of quatrain poetry art: although it is bold and unrestrained, it does not reveal everything outright; there are still fluctuations and twists, or in other words, subtlety hidden within the straightforwardness. The first two lines of the poem vividly depict the act of drinking heavily, while the third line suddenly shifts to talk about being drunk. From the two sharing a drink together to asking the other to do as they please, it is a shift in poetic mood ; As he sent her off with the words \"Go now,\" he gently made plans for a future meeting, inviting her to drink together again another day, once more creating a sense of anticipation. This leads to a subtle expression of emotion; thus, through natural and genuine behavior and speech, deep feelings can be conveyed in a tasteful manner. This poem expresses the sights and spoken words right before one’s eyes in its literal form, while its deeper emotions and thoughts are conveyed subtly. It possesses the charm of being spontaneous and innocent, yet it does not pour out everything at once; thus, it invites reflection and takes the mind on a journey. The linguistic features of this poem are such that, while being colloquial, it remains refined literary language, profound and flavorful. Phrases like “I’m drunk and sleepy; please leave” are straightforward and easy to understand, yet they draw on an existing story or anecdote. The \"Book of Song: Biographies of Recluses\" states: \"Tao Qian did not understand music, but he kept a plain zither without strings. Whenever he was in a good mood after drinking wine, he would play it to express his feelings.\" Those of high or low status who make it will set it out whenever there is wine. If he seemed drunk beforehand, he would say to his guest, ‘I’m too drunk to stay awake; you may go.’ Such was his straightforward nature. ”The third line of this poem uses almost Tao Qian’s original words, reflecting a style of sincerity and unpretentiousness. And the four-line phrase “bringing the zither” is not aimed at enjoying vocal music; rather, it focuses on \"plucking it to express one’s feelings\" and to fully indulge in the pleasure it brings, as can be understood from its source.
A sail, a oar, and a fishing boat; a fisherman with a fishing hook. A tilt of the head, a burst of laughter; a river of moonlight, a river of autumn. ——Chen Hang’s “Poem of One Character” – some say it was written by Ji Xiaolan as well: “Fishing by the lonely river on a moonlit night” (Ji Xiaolan). It’s likely that Ji Xiaolan was more famous.
This teacher is quite dedicated; they’re mainly worried that related questions might appear on this year’s exams. It’s a pity that the students don’t understand!
Who would have thought that the silkworm continues to spin silk until its death, and one must become a candle whose tears only cease when it is reduced to ashes?
When Feng Gong doesn’t appear on the Spring Festival Gala either, he is once again remembered by many: lol
Let’s improve together! Communicate happily, share happily!